![]() ![]() ![]() Keywords: Cinematic discourse chick flick distorted stereotypes fair stereotypes gender stereotypes Sleepless in Seattle IntroductionĬurrently much attention is paid to the cultural space of the film industry, which is due to both the emergence of new iconic personalities in this area and genre diversity, the “widening” of the cultural range of this sphere. The article concludes that the cinematic discourse of “Sleepless in Seattle”, which includes verbal, non-verbal components, intertext, the role of moviegoers, criticism, and the director has a dominant feminine trait. The study found the presence of both fair and distorted gender stereotypes in the discourse of “Sleepless in Seattle” as an example of “chick flicks”. The article notes that the cinematic discourse of “chick flicks” is a reflection of gender stereotypes (especially feminine-colored). The work shows that the plot of “Sleepless in Seattle”, as a prominent representative of the “chick flicks”, corresponds to the clichéd formula of “chick flicks”: 1. Of greatest interest for our study is the opposition sex – gender, where sex is the “innate binary sign” and gender is the “sign constructed by society.” The material was the cinematic discourse of the film “Sleepless in Seattle”. The article studies the cinematic discourse of “chick flicks” (from the English “chick flick” – a film about relationships, love, etc., which attracts mainly women) to identify gender stereotypes, as well as the general patterns of plotting “female films”.
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